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 The
first items we see here are the raw necks. The Resaw area, cuts the basic
shape of the neck. From there, the neck gets some basic shaping and is
bored out to fit the truss rod. Also, the "ears" for the peghead
are glued on. If a neck is a "three-piece laminated," it is laminated
in the Resaw area. The major portion of the neck is done as seen here on
the FADAL.
 The FADAL, being computer controlled, consistently produces the same shape every time, leaving little margin for human error. The FADAL does the main shaping of the necks, cuts the slots in the fingerboards for the frets, does the intricate carving for the fingerboard inlays and as also seen here, carves the bridges for the new Custom Line.

The fingerboards
 Here
we see the area of the neck-line that works on the fingerboards. In my
personal opinion, the fingerboard department is probably the most difficult
area to work in. A lot of work goes into making a fingerboard. From gluing
in the inlay, putting on the binding, installing the frets and the one
thing I would not want to do, drill and glue in the side marker dots. The
marker dots are relatively small, having big hands, I don't do too well
with small items. I have enough problems installing the 1/4 inch dots in
some the the bridges that I put on. These guys and gals should be commended
for their intricate work.
 Prior
to gluing in the inlay on the finger-boards, the finger-board is inspected
and any burrs or imperfections removed. The bottom of where the inlay goes
must be flat, otherwise the inlay will not go in correctly, or may crack.
 Here we see a few fingerboards after the inlays have been glued
in. From here, the fingerboards are cleaned up from the excess glue and
radius sanded to shape. They then go back to the FADAL to have the slots
cut for the frets.
 Here we see the press for installing the frets. Notice to the left
rear of the press, a large pile of fretwire. After the frets are installed,
they are cut to the end of the fingerboard and then sanded smooth. On models
using what is called "fret-over-binding," the frets are installed
after the binding is glued on and cut to height. On the models that are
bound, but with the fret ends covered by the binding, the binding is glued
on after the frets are installed.
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