This is a study in one of the true classic Chicago Blues licks of all time, and it’s one that steps slightly out of the realm of your typical 12-bar blues phrases.
It’s been played several ways over the years, and perhaps the most “different” way was on the renowned album, “Super Session”, with Mike Bloomfield, Al Kooper and Steven Stills. The more standard Chicago style has always been in a more “jump” blues approach that often doubles with the harmonica and the bass.
As you’ll see in the lesson, the way it fits into the song is at the same time unique, yet sensible, and this leads to making the phrase just that more unique in its nature. Perhaps the most closely related Chicago Blues song lick is the bass line from “Wang Dang Doodle”, made famous by both Koko Taylor and Howlin’ Wolf.
So, have fun with this one, and remember to fit it in just at the right time when it comes to the singing. The extra bar of “2” is what really makes it groove, and what sets it apart from all the other “usual” types of Chicago Blues runs. —Arlen Roth
The opinions, views, and ideas expressed are the author's own, and do not
necessarily reflect or represent the views of Gibson Guitar Corp. or the Gibson
Family of Brands. Send all thoughts, comments, disagreements, and rants to
editor@gibson.com. All e-mails will be considered
for publication.