Instructor: John Falstrom
Publisher: Mel Bay Bass Sessions
John has a B.A. in Music from Governors State University in University Park, Illinois, and he has over 30 years experience teaching students to play the bass guitar. John has used the knowledge he has gained from his experience at teaching literally thousands and thousands of students over the years to put together this book EADG 4 in a format that is concise, easy to follow and gets straight to the point of giving the bassist the tools needed to become a great bassist/musician.
Here's the original "analyzation" of The Standard 12 Bar Blues Form:
The Standard 12 Bar Blues Form* Twelve bars (measures) of music that are repeated throughout on entire song.
* Chords used are the I, IV, and V (either as basic major chords or as dominant 7th chords).
* Played in 4/4 time (i.e., four beats per measure; quarter note equals one beat).
Here is a chart example of a standard 12 bar blues form:
4/4 time
| Measures: |
1 |
2 |
3 |
4 |
| Chords: |
I |
I |
I |
I7 |
| |
|
|
|
|
| |
5 |
6 |
7 |
8 |
| |
IV |
IV |
I |
I |
| |
|
|
|
|
| |
9 |
10 |
11 |
12 |
| |
V7 |
IV7 |
I |
I |
| Memorize: |
First three measures are the I chord. |
| Fourth measure is the I7 chord. |
| Fifth and sixth measures are the IV chord. |
| Seventh and eighth measures are the I chord. |
| Ninth measure is he V7 chord. |
| Tenth measure is the IV7 chord. |
| Eleventh and twelfth measures are the I chord. |
There are many variations in the placements of the I, IV, and V (either as basic major chords or as dominant 7th chords) within the twelve measures of the standard 12 bar blues form.
* Eight, sixteen, twenty-four, and thirty-two bar blues forms are used on occasion.
* The standard 12 bar blues form using the minor i, iv, and v (either as basic minor chords or as minor 7th chords) is also used on occasion.
* The standard 12 bar blues form is used for many styles of music, such as: blues, rhythm & blues, rockabilly, and (early) rock-n-roll.
The Standard 12 Bar Blues Form of music is crucial to understand and also crucial to be able to play on the bass guitar. Therefore, everything and anything mentioned above should be (eventually) memorized.
The opinions, views, and ideas expressed are the author's own, and do not
necessarily reflect or represent the views of Gibson Guitar Corp. or the Gibson
Family of Brands. Send all thoughts, comments, disagreements, and rants to
editor@gibson.com. All e-mails will be considered
for publication.