These days it’s common – nay, expected – for a big blockbuster movie to have a kickass soundtrack packed with original new tracks by the big heavy-hitters of the day. But it wasn’t always like that. Once upon a time, the movie soundtrack section of a record store was populated largely by recordings of the actual orchestral music scores of films. If a soundtrack featured pop songs, they were often classic tracks that everybody knew.
Even in the case of big blockbuster soundtracks that featured a healthy amount of original new songs – like the album that accompanied the release of Dirty Dancing in 1987 – the tracks were very much mainstream radio-friendly pop. So the 1993 release of the Arnold Schwarzenegger film Last Action Hero and its soundtrack sent shockwaves through the hard rock and heavy metal scene of the day.
This was an album which featured new, never-before-heard tracks by some of the biggest names in heavy music at the time, including two of thrash’s Big Four. Check out this track listing:
"Big Gun" - AC/DC
"What the Hell Have I" - Alice in Chains
"Angry Again" - Megadeth
"Real World" - Michael Kamen and Queensrÿche
"Two Steps Behind" - Def Leppard
"Poison My Eyes" - Anthrax
"Dream On" [Live] - Aerosmith
"A Little Bitter" - Alice in Chains
"Cock the Hammer" - Cypress Hill
"Swim" - Fishbone
"Last Action Hero" - Tesla
"Jack and the Ripper" - Michael Kamen & Buckethead
AC/DC’s “Big Gun” kicks off the album, and although they’ve never played the track at a concert, it was heavily visible at the time of its release, particularly due to the pervasive presence of Arnie himself in the video. A classic driving AC/DC twelve-bar-blues-based track with a monster single note riff punctuated by a slinky, bendy melody, the song is classic Acca Dacca. Check out the video, and watch for Arnie doing his own version of Angus Young’s famous duck walk, complete with Gibson SG. While the SG looks huge on Angus’s diminutive frame, it looks like a ukulele in Arnie’s hands.
Alice in Chains’ two contributions, “What the Hell Have I” and “A Little Bitter,” are especially noteworthy entries in the band’s catalog because they represent the first tracks recorded with bass player Mike Inez, who was fresh from Ozzy Osbourne’s band at the time, replacing the departed Mike Starr. (Trivia buffs will know that Inez wrote the classic bass riff to Ozzy’s “No More Tears.”) The two songs were mixed by Andy Wallace, although both were remixed by Toby Wright for the band’s 1999 Music Bank box set.
Three of the soundtrack’s songs continue to be played live regularly by their respective creators. Def Leppard’s “Two Steps Behind” was released in two versions: an electric version from the band’s Retro Active compilation of rare and unreleased tracks (the song was also a B-side to the “Make Love Like a Man” single) and a stripped-back acoustic version. It’s the acoustic rendition that was used for the Last Action Hero soundtrack, and this is the version of the song that the band still plays live to this day.
Another enduring live track is Megadeth’s “Angry Again.” Written specifically for the film and later appearing on Megadeth’s Hidden Treasures rarity EP, the song was nominated for Best Metal Performance at the 1993 Grammy Awards. Apart from Marty Friedman’s brilliant guitar solo and the impressive handlebar moustache sported by Dave Mustaine in the video, the song is particularly interesting for a neat little songwriting trick used in the verses. During the first verse, Mustaine sings over the second half of a two-bar riff, but in the second verse he sings over the first half. It’s a great way of creating a sense of movement from one verse to the next, and probably one of the reasons it’s such a fan favorite.
The album’s other thrash legends, Anthrax, contributed a song leftover from the sessions for their 1993 album Sound of White Noise, their first with Armored Saint vocalist John Bush and last with lead guitarist Danny Spitz. While the song features the same big riffage as the Sound of White Noise tracks, it has a much more adventurous arrangement, including the use of record scratching.
Queensrÿche and composer Michael Kamen collaborated on “Real World,” a sweeping epic in the vein of their previous work together, “Silent Lucidity.” In fact, “Real World” represents a step beyond “Silent Lucidity,” with Kamen set free to push the Pink Floyd-esque progressive elements of the band’s sound even further. Like “Angry Again” and “Two Steps Behind,” “Real World” is still played live by the band occasionally, including on their most recent tour.
A few of the album’s tracks had been released previously, including Fishbone’s “Swim” (from their album Give a Monkey a Brain and He’ll Swear He’s the Center of the Universe). Cypress Hill’s “Cock the Hammer” is from their 1993 now-classic Black Sunday. And, of course, Aerosmith’s classic “Dream On” is presented here as a live version with orchestration by Michael Kamen.
Tesla’s “Last Action Hero” is a powerful ’80s rocker, although it felt a little out of place in the grunge-friendly climate of 1993, even on an album with such ’80s megastars as Def Leppard and Queensrÿche. But it’s a rockin’ song with some very cool, Thin Lizzy-esque twin guitar harmony work.
The album is closed out in spectacular fashion with another collaboration between Michael Kamen and unlikely partner: Buckethead, whose alternatingly haunting and rocking guitar weaves through orchestral ambience and electronica. Although Buckethead was already known to hard-core guitar fans, this was probably his first “big time” exposure, and as an introduction to the world at large, it’s a very impressive one.
There have been plenty of innovative soundtrack albums since Last Action Hero – the rap/rock collaborations of Judgment Night later in 1993 being a particularly noteworthy example, pairing Dinosaur Jr. and Del tha Funkee Homosapien, Helmet and House of Pain, Teenage Fanclub and De La Soul, Living Colour and Run-DMC, Slayer and Ice-T, Sonic Youth and Cypress Hill, Mudhoney and Sir-Mix-A-Lot, Pearl Jam and Cypress Hill, Faith No More and Boo-Yaa T.R.I.B.E. and more. In fact the Judgment Night soundtrack may have been a big factor in the rise of rap-rock and nu metal a few years later. But perhaps that’s a story for another time.